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Benjamin Wood: The Ecliptic

Asylum

Why is the life and world of the visual artist such an appealing subject for novelists? Perhaps I’m overstating it, but I’ve seen or read several in the last year (Jonathan Gibbs’s Randall, Niven Govinden’s All the Days and Nights, Han Kang’s The Vegetarian) and have strong memories of others: Patrick McGrath’s Port Mungo, Patrick White’s The Vivisector. Could it be that writers like telling painters’ stories because it enables them to write about the creative process – so familiar to them – but in a slightly, well, sexier form? Benjamin Wood: The EclipticThe Ecliptic is such a book and more. Its narrator is an artist, and in the second part of the book we get a full-blooded account of her development as a painter, but there is more to it than that. We are told this only after we already know that she – Elspeth Conroy – is blocked…

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